こちらは猫ではなくぬこだ☆
蒼空がすきのゆきみとでした(❤︎.*´꒳`)
每日三省吾自身，今天翻译什么，明天翻译什么，还有什么没翻译=w=
译者之路探究求索，惟愿不改初心❤
七期、出发ฅ( ̳• ·̫ • ̳ฅ)にゃ♡
【文字翻译】Across the Wall – Preface (4) – Garth Nix（百日翻译DAY 059）
写在前面的ATTENTION：本书的一切权利属原作者及出版社所有，本人翻译纯属自娱自乐的练习，请观看和下载者请支持正版。若有不妥之处请及时指出，保证会及时删档撤文。若有bug也请各位不吝赐教，谢谢。
*For translating training only, will delete immediately if inapporate.
Both my short and long fiction works usually begin with a thinly sketched scene, character, situation, or some combination of all three, which just appears in my head. For example, I might suddenly visualize a huge old mill by a broad river, the wheel slowly turning, with the sound of the grinding stones underlaid by the burble of the river. Or I might think of a character, say a middle-aged man who has turned away from the sorcery of his youth because he is afraid of it, but who will be forced to embrace it again. Or a situation might emerge from my subconscious, in which a man, or something that was once a man, is looking down on a group of travelers from a rocky perch, wondering whether he/it should rob them.
我的短篇或长篇小说通常开篇于我脑中想出的一个简单勾勒的场景、人物、事件，或这三者的杂糅。比如，我可能会想象出坐落在一条大河边的大而古老的磨坊，磨臼轮子缓缓转动着，磨石的声音自汩汩水流声之下传来。我也许会想象一个人物，例如一个中年男子，他年轻的时候被男巫驱逐了，因为他害怕巫术的力量，但他会被迫重拾旧技。有时一个场景会从我的潜意识里浮现出来，在那里，一个人，或一个曾经是人的造物，从一块高高的岩石上俯视着一群旅行者，思虑着要不要袭击他们。
TBC